Poet Joy Harjo of Muskogee Creek heritage has won Wallace Stevens award from the Academy of American Poets, found in 1934. Her works include How We Became Human and The Woman ... [ read more ]
The Poetry Foundation and Poetry magazine announces the five recipients of the 2015 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships, one of the largest awards given to young poets ... [ read more ]
Jennifer Wallace, Poetry Reading
Jennifer Wallace reading at CityLit in the Poe Room of the Pratt Library in Baltimore. April 14, 2012. Intro by Smartish Pace Editor Stephen Reichert.
CHIMERA: an interview with Denise Duhamel by Karla Huston (Note: this interview was conducted via email between January and May 2004.) Denise Duhamel’s poetry has been described as stunning, suggestive, and startling. Rain Taxi says, "Duhamel’s careful yet freewheeling musings employ a seamlessly shifting digital palette of techniques, devices, and tones, all in the service of a poet able to maintain distance yet remain engaged and human. She is much like this last-call century of ours, searching for the point from which to take a running leap to a new kind of poetry.” Her poems speak with a wild irreverence. Not afraid of critics and naysayers, Duhamel experiments with form and subject, creating poetry that challenges the reader’s notion of what poetry should be. She presents what poetry could be as she fully engages pop culture, the joys and horrors of it, while maintaining the ability to poke fun at our foibles—and make us think. Duhamel’s most recent books of poetry Two and Two (University of Pittsburgh Press) and Mille et Un Sentiments, a limited edition chapbook (Firewheel Editions), were both published in 2005. ... [ read more ]
3/30/2016 (1:00am) -- 4/3/2016 (4:00am)
see you beautiful writers at table 1256
The Comedic EffectA number of poets and critics, including Stephen Burt and Tony Hoagland, have recently sounded the death toll for what Burt has called "elliptical" poetry and Hoagland, "hip contemporary skittishness." Hoagland sees a return to autobiographical narrative of the 1980s, Burt, a renewed interest in the objectivism of Pound and Williams. Yet, while I think (and hope) that the worst of the elliptical poets will fade, others, whose work is less ... [ read more ]