Smartish Pace nominated Matt McBride's poem "Cities of Advertisers" and Amy Woolard's poem "A Girl Gets Sick of a Rose" for the 2013 Best New Poets anthology. SP is proud ... [ read more ]
Issue 19 Reading & Party (with The Great American Canyon Band!)
April 13th, 2013 (7:00pm) -- (11:00pm)
LOCATION: CopyCat Building, 1501 Guilford Ave Baltimore, MD 21202
read more ]
Reginald Harris, Smartish Pace Reading
Reginald Harris reading for Smartish Pace at the Issue 16 Release Party at Cyclops, Baltimore, on May 15, 2009. This was a joint party with the DC lit magazine, Barrelhouse. Intro by Stephen Reichert of Smartish Pace. Intro/Outro music by Pree.
STEPHEN REICHERT:You were born in Budapest, Hungary on August 23, 1931. How did you make your way to Canada in 1957 and what are your memories of Budapest? KAROLY SANDOR: I had an active part in the 1956 revolution. Worried over this my wife and I decided to leave the country. They caught and jailed us. We escaped, went to Veinna, Austria, four days later to England, five months later to Canada. To the second part of your question about my memories of Budapest: The most beautiful, inspiring, on the account of its women and history, city in the world, also a very tough place if you have a mild complexion and live in a working-class district. The street where I lived was 3 blocks long, when I was five, it had six pubs. In 1996 I was interviewed by the Hungarian Radio's English Language Broadcast program. I told them about remembering buildings, people in them, the fights after the dances, the smiles of those who tolerated by infractions. How did they do that? I took my clothes off on that program (Charlie Coutts Director, retired since) and confessed: I am in love with Budapest. REICHERT: How ... [ read more ]
9/1/2013 (7:00pm) -- (8:00pm)
Baltimore, New York, Raleigh, Austin, Virgin Islands
We will have Smartish Pace Issue 20 readings in Baltimore (TBA), New York City (KGB Bar), Raleigh (Contemporary Art Museum), Austin (TBA) and Virgin Islands (TBA).
Dates to be announced here throughout the year.
Alex Grant’s Fear of Moving Water is structured in four sections, and while there is no listing for this in the table of contents, each is preceded by a brief prose poem that serves as an introduction to the section. The collection moves deftly between the serious, the sublime, and the silly, sometimes melding all three into something shining and whole. Take, for example, this passage, which serves as an epigraph to the first section ... [ read more ]