Smartish Pace Editor Stephen Reichert nominated Laurel Hunt, and her poem "Glass," and D.M. Macormic, and his poem "Identity Theft," for Best New Poets 2017. SP nominations have won in ... [ read more ]
The Good Contrivance Farm Residency provides a 1200 square foot barn loft apartment on a small, historic farm in central Maryland, 25 miles north of Baltimore. It's run by our ... [ read more ]
Reginald Shepherd (1963-2008)
A tribute to poet Reginald Shepherd who died on September 10, 2008. Mr. Shepherd's new work is in Smartish Pace, Issue 15 (2008).
Originally from Michigan, Patrick Ryan Frank has his master’s degree in poetry from Boston University and studied theater and creative writing as an undergraduate at Northwestern. Since then, he has received fellowships from the Fine Arts Work Center in Provincetown and the Massachusetts Arts Council, and now holds a James A. Michener Fellowship at the University of Texas at Austin. In August of 2010, How the Losers Love What’s Lost won the Four Way Books Intro prize judged by Alan Shapiro. He was interviewed over email by Julia Leverone of Smartish Pace in October, 2010.JL: Could you give an idea as to your background, and especially what your influences are?PRF: I grew up in rural Michigan, on what had once been a farm but is now just a wide swath of weeds and derelict barns. I hated it at the time, and I’ve lived in big cities ever since (with the exception of a couple of stints at the Fine Arts Work Center in Provincetown). While I always wanted to be an urban—and urbane—poet, I can’t quite pull myself completely from the fields.My influences are pretty varied, sometimes embarrassingly so. I bought a shiny ... [ read more ]
February was Black History Month, a fact that seemed to go largely unnoticed by folks in the news media who I thought might care a little more. A little later, I picked up C.D. Wright’s One with Others, an obvious National Book Award Finalist if nothing else for the promise of greatness based on its author’s resume, a promise solidified by the book itself. I experienced One with Others in the context of two other ... [ read more ]