Aliki Barnstone, of Columbia, was appointed by Gov. Nixon as Missouri’s new Poet Laureate. Barnstone is Professor of English in the Creative Writing program at the University of Missouri. A ... [ read more ]
Smartish Pace poet Carson Cistulli is all things to all people. If all the things people care about are poetry and baseball, that is. Listen here to Carson on the ... [ read more ]
Bradley Paul, Smartish Pace Reading
Bradley Paul reads for Smartish Pace at The Walters Art Museum in Baltimore on Sept. 11, 2011. Sorry we don't have the video but the audio sounds nice.
Harvey Shapiro's newest collection of poems, How Charlie Shavers Died and Other Poems, will appear in 2001. Born in Chicago in 1924, educated at Yale and Columbia, an Air Force gunner during World War II, Shapiro settled in New York and worked as a journalist, serving for eight years as the editor of the New York Times Book Review and eventually becoming a senior editor of the New York Times Magazine. In his Introduction to Shapiro's Selected Poems (1997), James Atlas, his colleague at the Magazine, observes the "rare unity" in Shapiro's life and work: "He has lived in the same place, Brooklyn Heights, for nearly his entire writing life; he has immersed himself in the rituals of his own neighborhood with an almost religious intensity." Mentored by the Objectivists but belonging to no one school, Shapiro is often regarded as a quintessential New York poet, tough but compassionate, jazzy and modernistic, but almost classical in his humane skepticism. His lyrics have the sound of chastened conversation-and his conversation produces a kind of punchy lyricism that is, for his interlocutor, both chastening and immensely pleasurable. This interview took place on March 17, 2000, at the home of Galen Williams ... [ read more ]
2/9/2017 (8:00am) -- 2/11/2017 (5:00pm)
Visit table 334 for our new issue, t-shirts, treats...and 3 free books of poetry with every purchase (lots of great titles)! We look forward to meeting you!
Political poems tend to sag under the weight of their agendas. The poet's sense of outrage filters in, burdening the poem with didacticism, or the poet finds himself speaking on behalf of a group—Haitian refugees or spotted owls, for instance—and poems, compact by nature, don't work when struggling beneath a multitude of voices. Yet many poets have written successful political poems, not least of all Carolyn Forché, who in "The Colonel" avoids the pitfalls of ... [ read more ]