Congratulations to Smartish Pace poet Jacob Polley for winning the T.S. Eliot Prize, the world's most prestigious poetry prize, for his new collection Jackself (Picador, 2016). Polley's new poems will appear ... [ read more ]
Aliki Barnstone: “A Sundial in France I’ve Never Seen”
Donald Berger: “Hanging Wood”
Gordon Buchan: “The Sign in the Sky”
Alicia Mountain: “Scavenger”
G.H. Mosson: “Punk Rock Song”
Jennifer Pruiett-Selby: ... [ read more ]
Bro. Yao, Smartish Pace Reading
Bro. Yao reading for Smartish Pace on the CityLit Stage at the Baltimore Book Festival on Sept. 29, 2012.
Harvey Shapiro's newest collection of poems, How Charlie Shavers Died and Other Poems, will appear in 2001. Born in Chicago in 1924, educated at Yale and Columbia, an Air Force gunner during World War II, Shapiro settled in New York and worked as a journalist, serving for eight years as the editor of the New York Times Book Review and eventually becoming a senior editor of the New York Times Magazine. In his Introduction to Shapiro's Selected Poems (1997), James Atlas, his colleague at the Magazine, observes the "rare unity" in Shapiro's life and work: "He has lived in the same place, Brooklyn Heights, for nearly his entire writing life; he has immersed himself in the rituals of his own neighborhood with an almost religious intensity." Mentored by the Objectivists but belonging to no one school, Shapiro is often regarded as a quintessential New York poet, tough but compassionate, jazzy and modernistic, but almost classical in his humane skepticism. His lyrics have the sound of chastened conversation-and his conversation produces a kind of punchy lyricism that is, for his interlocutor, both chastening and immensely pleasurable. This interview took place on March 17, 2000, at the home of Galen Williams ... [ read more ]
2/9/2017 (8:00am) -- 2/11/2017 (5:00pm)
Visit table 334 for our new issue, t-shirts, treats...and 3 free books of poetry with every purchase (lots of great titles)! We look forward to meeting you!
“Men at forty,” as Donald Justice wrote, learn to turn their backs, or close doors—“softly”— on youth and long-passed opportunities as part of their accommodation to a life of mortgages, the body’s increasing betrayals, and other failures of middle age. Perhaps the most painful of these stem from love and marriage, as well as the domestic life that sometimes confines men as inescapably as it does women, though the emotional content of poems that are ... [ read more ]