Charles Wright will be the next Poet Laureate, kicking off his tenure with a Sept. 25 reading of his work.
Wright has 24 poetry collections and two books of ... [ read more ]
From Smartish Pace, Issue 20
Carson Cistulli: “Young People Will Have White Hair”
Leah Falk: “Westview Cemetery”
Andrea Henchey: “The Moon Is So Smart”
Timothy Liu: “The Garden of ... [ read more ]
Michael Chitwood, Smartish Pace Reading - VABook! 2009
Michael Chitwood reading for Smartish Pace at the Virginia Festival of the Book, March 19, 2009. Introduction by Smartish Pace Editor Stephen Reichert.
Originally from Michigan, Patrick Ryan Frank has his master’s degree in poetry from Boston University and studied theater and creative writing as an undergraduate at Northwestern. Since then, he has received fellowships from the Fine Arts Work Center in Provincetown and the Massachusetts Arts Council, and now holds a James A. Michener Fellowship at the University of Texas at Austin. In August of 2010, How the Losers Love What’s Lost won the Four Way Books Intro prize judged by Alan Shapiro. He was interviewed over email by Julia Leverone of Smartish Pace in October, 2010.JL: Could you give an idea as to your background, and especially what your influences are?PRF: I grew up in rural Michigan, on what had once been a farm but is now just a wide swath of weeds and derelict barns. I hated it at the time, and I’ve lived in big cities ever since (with the exception of a couple of stints at the Fine Arts Work Center in Provincetown). While I always wanted to be an urban—and urbane—poet, I can’t quite pull myself completely from the fields.My influences are pretty varied, sometimes embarrassingly so. I bought a shiny ... [ read more ]
Observing thoughts, as a Buddhist might, does not make art, although it might make a better person. The narrator of Alice Notley’s Culture of One has realized this distinction between art and life. She challenges herself concerning the poetic process underway: “Observe your thoughts: are they a poem? No” (94). Abandoning that reflective lyric project, in the next line via the speaker continues another tactic, a narrative one: “A long time ago ... [ read more ]