Charles Wright will be the next Poet Laureate, kicking off his tenure with a Sept. 25 reading of his work.
Wright has 24 poetry collections and two books of ... [ read more ]
From Smartish Pace, Issue 20
Carson Cistulli: “Young People Will Have White Hair”
Leah Falk: “Westview Cemetery”
Andrea Henchey: “The Moon Is So Smart”
Timothy Liu: “The Garden of ... [ read more ]
Amy Woolard, Smartish Pace Reading
Amy Woolard reading for the Smartish Pace Issue 19 Party at the Copy Cat building in Baltimore on April 13, 2013. Music, in the video and live at the party, by The Great American Canyon Band. Intro by Stephen Reichert.
Magdelyn Hammond: When did you start writing poetry? Have you always considered yourself a poet, or are there parts of yourself that were always a poet even before you started to write seriously? Shara McCallum: I started writing poetry seriously about the same time I came to Maryland. I was almost 22 then. I had always written poetry, as far back as I can remember, but I think of that period as marking my beginnings as a writer because it was when I began to consider the craft of a poem consciously and deliberately. I don't know when I began to think of myself as a poet -- that's not a word I use very often in relation to myself. I say I write poetry but rarely say I am a poet. I'm not afraid of the word per se but the phrase "I am a poet" seems somewhat static and stilted. Writing poetry is something I see as active whereas being a poet makes me think of someone sitting around waiting for inspiration or someone posing in some fashion as a "poet." As to the other ways I was becoming a "poet" before really being serious about ... [ read more ]
Matthew Rohrer’s debut collection, Hummock of Malookas, bristles with wonder and vitality. The straight and simple subject/verb sentences gives off no highfalutin airs. With the repetition of luminous forks and conjuring up apocalyptic fire, Rohrer livens a scene by jumping to the unexpected angle when you feel most comfortable with the poem’s direction. Utilizing sentence length variation and consistent anaphora for pacing and rhythm, Rohrer breathes life into inanimate objects that now act and talk and ... [ read more ]