Poet Joy Harjo of Muskogee Creek heritage has won Wallace Stevens award from the Academy of American Poets, found in 1934. Her works include How We Became Human and The Woman ... [ read more ]
The Poetry Foundation and Poetry magazine announces the five recipients of the 2015 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships, one of the largest awards given to young poets ... [ read more ]
Carol Muske-Dukes Reading
Carol Muske-Dukes reading her poetry and poetry by others. Ms. Muske-Dukes new poems appear in Smartish Pace, Issue 9.
November, 2000 (published in The Arkansas Review) DAVID KIRBY is the author or coauthor of eighteen books, including five poetry collections. The House of Blue Light, his latest collection of poetry, appeared from LSU Press in 2000. In 1987, his first collection of poetry, Saving the Young Men of Vienna, was awarded The Brittingham Prize in Poetry from The University of Wisconsin Press. A recipient of grants from the Florida Arts Council and the National Endowment for the Arts, his other honors include five Florida State University teaching awards and Southern Poetry Review’s Guy Owen Poetry Prize. His poems have appeared in numerous publications such as Poems & Plays, Kenyon Review, Ploughshares, Chelsea, Smartish Pace, Virginia Quarterly, Gettysburg Review and The Best American Poetry, 2000 & 2001. Kirby was born in Baton Rouge, Louisiana, in 1944. He received his bachelor’s degree in English form LSU in 1966 and his doctorate from Johns Hopkins University in 1969. He is the W. Guy McKenzie Professor of English at Florida State University, where he has taught since 1969. It is evident in Kirby’s poetry that he has forever unabashedly “stirred the pot.” ... [ read more ]
3/30/2016 (1:00am) -- 4/3/2016 (4:00am)
see you beautiful writers at table 1256
In his first full-length collection, Green Squall, Jay Hopler invites his readers into a Florida teeming with the light of a lush world where “the grass was lizarding,” (“In the Garden” 5), while mindful of the places where that light dims in “the stump-holes where the palm / Trees used to be” (“The Conjugal Bed” 8-9). The first third embraces the electric rush of open spaces and new life, seen here in the opening poem ... [ read more ]