Poet Matthew Zapruder has been appointed the new poetry column editor for The New York Times Magazine. Born in Washington, D.C., he lives in Oakland, where he is the director ... [ read more ]
C. D. Wright, American award-winning poet and writing professor at Brown University, unexpectedly passed away in her home on January 12, 2016. Her most recent book, Poet, the Lion, Talking Pictures, ... [ read more ]
Evan Commander Reading
A reading, in conjunction with Forklift, Ohio, at the Speckled Bird Cafe, Cincinnati, Oh, November 21, 2008 with Murray Shugars. Introduction by Matt Hart.
November, 2000 (published in The Arkansas Review) DAVID KIRBY is the author or coauthor of eighteen books, including five poetry collections. The House of Blue Light, his latest collection of poetry, appeared from LSU Press in 2000. In 1987, his first collection of poetry, Saving the Young Men of Vienna, was awarded The Brittingham Prize in Poetry from The University of Wisconsin Press. A recipient of grants from the Florida Arts Council and the National Endowment for the Arts, his other honors include five Florida State University teaching awards and Southern Poetry Review’s Guy Owen Poetry Prize. His poems have appeared in numerous publications such as Poems & Plays, Kenyon Review, Ploughshares, Chelsea, Smartish Pace, Virginia Quarterly, Gettysburg Review and The Best American Poetry, 2000 & 2001. Kirby was born in Baton Rouge, Louisiana, in 1944. He received his bachelor’s degree in English form LSU in 1966 and his doctorate from Johns Hopkins University in 1969. He is the W. Guy McKenzie Professor of English at Florida State University, where he has taught since 1969. It is evident in Kirby’s poetry that he has forever unabashedly “stirred the pot.” ... [ read more ]
The Comedic EffectA number of poets and critics, including Stephen Burt and Tony Hoagland, have recently sounded the death toll for what Burt has called "elliptical" poetry and Hoagland, "hip contemporary skittishness." Hoagland sees a return to autobiographical narrative of the 1980s, Burt, a renewed interest in the objectivism of Pound and Williams. Yet, while I think (and hope) that the worst of the elliptical poets will fade, others, whose work is less ... [ read more ]