Maurice Manning's poem "Going Back to Bimble" appears in Smartish Pace, Issue 20, and re-appears at Poetry Daily. Read the poem here. Thanks Poetry Daily! [ read more ]
Smartish Pace nominated Matt McBride's poem "Cities of Advertisers" and Amy Woolard's poem "A Girl Gets Sick of a Rose" for the 2013 Best New Poets anthology. SP is proud ... [ read more ]
Deborah H. Doolittle
Deborah H. Doolittle reading for the Smartish Pace Issue 19 Party at the Copy Cat building in Baltimore on April 13, 2013. Music, in the video and live at the party, by The Great American Canyon Band. Intro by Stephen Reichert.
In his new book, Star Apocrypha, the poet Christopher Buckley reaches for a higher lyric pitch and succeeds exponentially. Buckley's poetry addresses matters of this world and of the soul, daily life and the lifeof the imagination with brilliant language and finesse. His poems perform aneloquent dance between memory and the here and now, turning time into the verysame stuff as the clouds and stars.In the following interview, the poet discusses contemporary poetry and his latest book, Star Apocrypha.Maggie Paul: Can you recall some of your earliest experiences with poetry and how they influenced your decision to become a poet?Christopher Buckley: My earliest memory of poetry is from Mt. Carmel School in Montecito fourth grade, fifth? I wrote a poem for Mother’s Day in class, the nun passing out white paper and blue construction paper to paste it on. I remember this because I found it years later in a trunk, my mother had saved it. It was in fact in quatrains rhyming abab, three or four of them with sunlight and bluebirds flying about the edges of the stanzas. I think I came across it while I was in college ... [ read more ]
Matthew Rohrer’s debut collection, Hummock of Malookas, bristles with wonder and vitality. The straight and simple subject/verb sentences gives off no highfalutin airs. With the repetition of luminous forks and conjuring up apocalyptic fire, Rohrer livens a scene by jumping to the unexpected angle when you feel most comfortable with the poem’s direction. Utilizing sentence length variation and consistent anaphora for pacing and rhythm, Rohrer breathes life into inanimate objects that now act and talk and ... [ read more ]