Congratulations to Smartish Pace poet Jacob Polley for winning the T.S. Eliot Prize, the world's most prestigious poetry prize, for his new collection Jackself (Picador, 2016). Polley's new poems will appear ... [ read more ]
Aliki Barnstone: “A Sundial in France I’ve Never Seen”
Donald Berger: “Hanging Wood”
Gordon Buchan: “The Sign in the Sky”
Alicia Mountain: “Scavenger”
G.H. Mosson: “Punk Rock Song”
Jennifer Pruiett-Selby: ... [ read more ]
Michael Collier, Smartish Pace Reading
Michael Collier reading for the Smartish Pace Issue 19 Party at the Copy Cat building in Baltimore on April 13, 2013. Music, in the video and live at the party, by The Great American Canyon Band. Intro by Stephen Reichert.
Loss has a constant presence in your new book, Give Over, Graymalkin. For you, where does the act of writing poetry fit into the process of losing, accepting, rebuilding, and regaining?That’s a significant question and a slippery one. The poems about my dog Jasper were ones in particular that I swore to myself I wouldn’t write—too private—and then ultimately wrote anyway. His death—slow and then sudden—was hard on us. I finally realized it would be those poems or nothing for a long while, and so I suppose in some ironic way the intimate nature of the subject that I was so wary of was also what finally compelled me to tackle it. I hoped through the personal to strike a resonant chord about loss. From responses I’ve received, maybe I got lucky, although it was damned costly luck. I’ve been writing poems for a long time, and that process obviously has important correlations to how I approach my life and what I am and believe. It’s not therapy, though, and it’s not a journal. The poems are intended for an audience to read and perhaps be moved or amused or appalled by. To recover from loss takes time, ... [ read more ]
2/9/2017 (8:00am) -- 2/11/2017 (5:00pm)
Visit table 334 for our new issue, t-shirts, treats...and 3 free books of poetry with every purchase (lots of great titles)! We look forward to meeting you!
Sarah Lindsay’s Twigs & Knucklebones is an ambitious poetry collection, with its center section, “The Kingdom of Nab,” every bit as complex and substantive and satisfying as a stand-alone book (Copper Canyon and the Lannan Foundation rarely disappoint). The theme of the book is artifact, and Lindsay has made this topic exactly as broad and narrow as it should be. “The Kingdom of Nab” is an archeology dig spanning decades. Stories emerge in this section ... [ read more ]