Congratulations to Smartish Pace poet Jacob Polley for winning the T.S. Eliot Prize, the world's most prestigious poetry prize, for his new collection Jackself (Picador, 2016). Polley's new poems will appear ... [ read more ]
Aliki Barnstone: “A Sundial in France I’ve Never Seen”
Donald Berger: “Hanging Wood”
Gordon Buchan: “The Sign in the Sky”
Alicia Mountain: “Scavenger”
G.H. Mosson: “Punk Rock Song”
Jennifer Pruiett-Selby: ... [ read more ]
Carol Muske-Dukes Reading
Carol Muske-Dukes reading her poetry and poetry by others. Ms. Muske-Dukes new poems appear in Smartish Pace, Issue 9.
Laura Klebanow: It seems you came to write poetry first, and prose poetry and essays next. Is this correct, or has your work in each genre developed less compartmentally? For example, do you ever start a poem and watch it become a prose poem or essay, or vice versa?Lia Purpura: The issue of how one discernible genre grows from another is utterly mysterious to me. I’m certain that I’m writing prose, though my essays are called “lyric essays.” In fact, I’ve just written an essay titled “What is a Lyric Essay?” for Seneca Review. In it, I’m making a plea for allowing the form to remain as mysterious as possible. I do mean “mysterious” though in the best way – challenging and magical and able to work on a reader and knit up above the page. I don’t mean at all “unclear” or “sloppy”. The language ought to be as precise as possible in order to affect the most unlikely moves. When I’m writing, an impulse makes itself known as a prose itch or poem-itch. Some failed poems have extended out into prose and found their musculature that way. I don’t think a derailed essay has ever turned ... [ read more ]
2/9/2017 (8:00am) -- 2/11/2017 (5:00pm)
Visit table 334 for our new issue, t-shirts, treats...and 3 free books of poetry with every purchase (lots of great titles)! We look forward to meeting you!
Alex Grant’s Fear of Moving Water is structured in four sections, and while there is no listing for this in the table of contents, each is preceded by a brief prose poem that serves as an introduction to the section. The collection moves deftly between the serious, the sublime, and the silly, sometimes melding all three into something shining and whole. Take, for example, this passage, which serves as an epigraph to the first section ... [ read more ]