Charles Wright will be the next Poet Laureate, kicking off his tenure with a Sept. 25 reading of his work.
Wright has 24 poetry collections and two books of ... [ read more ]
From Smartish Pace, Issue 20
Carson Cistulli: “Young People Will Have White Hair”
Leah Falk: “Westview Cemetery”
Andrea Henchey: “The Moon Is So Smart”
Timothy Liu: “The Garden of ... [ read more ]
Matt McBride, Smartish Pace Reading
Matt McBride reading for Smartish Pace at KGB Bar in New York City on December 1, 2012. Intro by Stephen Reichert. Music by Luna. Photographs by Deb Schwartz.
CHIMERA: an interview with Denise Duhamel by Karla Huston (Note: this interview was conducted via email between January and May 2004.) Denise Duhamel’s poetry has been described as stunning, suggestive, and startling. Rain Taxi says, "Duhamel’s careful yet freewheeling musings employ a seamlessly shifting digital palette of techniques, devices, and tones, all in the service of a poet able to maintain distance yet remain engaged and human. She is much like this last-call century of ours, searching for the point from which to take a running leap to a new kind of poetry.” Her poems speak with a wild irreverence. Not afraid of critics and naysayers, Duhamel experiments with form and subject, creating poetry that challenges the reader’s notion of what poetry should be. She presents what poetry could be as she fully engages pop culture, the joys and horrors of it, while maintaining the ability to poke fun at our foibles—and make us think. Duhamel’s most recent books of poetry Two and Two (University of Pittsburgh Press) and Mille et Un Sentiments, a limited edition chapbook (Firewheel Editions), were both published in 2005. ... [ read more ]
One of the central concerns pervading Percy Shelley’s A Defense of Poetry is the idea of vital metaphor, that poetic aspect that makes the serious poet’s work different from amateurs, or those searching for personal vainglory. For Shelley, vital metaphor leads to the truest form of expression, the expression allowing a poet to move past him/herself and into participation with “the one, the infinite, the eternal.” Shelley is, of course, talking about the collective ... [ read more ]