Aliki Barnstone: “A Sundial in France I’ve Never Seen”
Donald Berger: “Hanging Wood”
Gordon Buchan: “The Sign in the Sky”
Alicia Mountain: “Scavenger”
G.H. Mosson: “Punk Rock Song”
Jennifer Pruiett-Selby: ... [ read more ]
Aliki Barnstone, of Columbia, was appointed by Gov. Nixon as Missouri’s new Poet Laureate. Barnstone is Professor of English in the Creative Writing program at the University of Missouri. A ... [ read more ]
Todd Boss, Smartish Pace & 32 Poems Reading
Todd Boss reading for Smartish Pace & 32 Poems on 3/1/11 at Topics Cafe in Chicago.
Originally from Michigan, Patrick Ryan Frank has his master’s degree in poetry from Boston University and studied theater and creative writing as an undergraduate at Northwestern. Since then, he has received fellowships from the Fine Arts Work Center in Provincetown and the Massachusetts Arts Council, and now holds a James A. Michener Fellowship at the University of Texas at Austin. In August of 2010, How the Losers Love What’s Lost won the Four Way Books Intro prize judged by Alan Shapiro. He was interviewed over email by Julia Leverone of Smartish Pace in October, 2010.JL: Could you give an idea as to your background, and especially what your influences are?PRF: I grew up in rural Michigan, on what had once been a farm but is now just a wide swath of weeds and derelict barns. I hated it at the time, and I’ve lived in big cities ever since (with the exception of a couple of stints at the Fine Arts Work Center in Provincetown). While I always wanted to be an urban—and urbane—poet, I can’t quite pull myself completely from the fields.My influences are pretty varied, sometimes embarrassingly so. I bought a shiny ... [ read more ]
2/9/2017 (8:00am) -- 2/11/2017 (5:00pm)
Visit table 334 for our new issue, t-shirts, treats...and 3 free books of poetry with every purchase (lots of great titles)! We look forward to meeting you!
In his first full-length collection, Green Squall, Jay Hopler invites his readers into a Florida teeming with the light of a lush world where “the grass was lizarding,” (“In the Garden” 5), while mindful of the places where that light dims in “the stump-holes where the palm / Trees used to be” (“The Conjugal Bed” 8-9). The first third embraces the electric rush of open spaces and new life, seen here in the opening poem ... [ read more ]